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Baroque vitaUty is — as man who was responsible for introducing the young Vandrières to Roman grandeur. is natural in a building designed In fact the most problem of balance Roger Delivering Angelica. 1819. Louvre. by SoufBot's that involved calling in of the reigning Panthéon is the successor. Rondelet, to a style. In new techniques: than the presence of interest Hes in the absence rather certain features 59. the interesting thing about the solution fmally provided hence the by any case Servandoni had already shown in 1733 in St Sulpice a desire for a severe style in architecture, with the decoration of private develop between high all the flowers and graces reserved for life.

That expressed exceptionally vividly the tastes and fechngs of an age genuine advance occurred in England, Italy and France. In BRITISH. 159 the lesson of the ancient houses of away because concealed plagiarism, such as that of Burlington's Chiswick House (1725) or the Assembly Rooms at York (1730), is replaced by a free interpretation no longer of imitated forms, Trianon 41 Flaxman and Wedgwood, or the Etruscan fashion, and in XVI style, resulted from the time lag between the public's fast-moving tastes and techniques that were overFrance the Louis It is Adam brothers.

Stopped being bookish and became Neoclassicism no longer needed visual. It it gripped like the climax of a fine play. Incidenthad considerable influence during the 18th century deciphering; ally actors England and France. Garrick, Le Kain and Talma estabhshed in a bridge between the pubUc and the decorative painters, modem were reaUy imbued with the spirit. who Napoleon himself understood the importance of actors and in putting artists new man for whom the expression of action was action He is the first to have given utterance to something other view of history.

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Art and Mankind: Larousse Encyclopedia of Modern Art: From 1800 to the Present Day by Rene Huyghe, Yes

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